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• Sales Rank: #4330750 in Books
• Published on: 1983-03
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 406 pages

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[U177.Ebook] Fee Download Passive and Low Energy Cooling of Buildings (Architecture), by Baruch Givoni

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A practical sourcebook for building designers, providing comprehensive discussion of the impact of basic architectural choices on cooling efficiency, including the layout and orientation of the structure, window size and shading, exterior color, and even the use of plantings around the site. All major varieties of passive cooling systems are presented, with extensive analysis of performance in different types of buildings and in different climates: ventilation; radiant cooling; evaporative cooling; soil cooling; and cooling of outdoor spaces.

• Sales Rank: #8338957 in Books
• Published on: 1994-07
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x 7.50" w x .75" l,
• Binding: Hardcover
• 224 pages

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1 of 1 people found the following review helpful.
Passive and Low Energy Cooling of Buildings
By Daniela Mussolini
I have already known this book, I did use it in my master's dissertation.
But just now I could buy it to have it in my personal library.
It's really interesting, and has many information on passive strategies about natural cooling of buildings, I as a brazilian architect strongly recomend this book, mainly for those who live in a hot climate.

10 of 10 people found the following review helpful.
Essential for anyone interested in the subject
By Danny Parker
Givoni's book is invaluable for anyone who wants to know of a nearly lost art-- how to cool buildings effectively without resorting to excessive mechanical cooling. What makes his book most valuable is the years of experimental research done to produce empirical data on which the conclusions are based. A treasure trove of ideas.

1 of 1 people found the following review helpful.
Very informative, beware that it is a written in a thesis style
By Abraham George
Extremely useful book if you are interested in building houses in hot climatic areas of the world. Lot of detailed graphs showing comparison between different options. This is a result of many experiments done on different designs. But remember this is more like an accumulation of many thesis works so this is no casual reading. Excellent work and thanks to the author for bringing all these knowledge out.

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[P875.Ebook] Get Free Ebook Plastics Extrusion Technology Handbook, by Sidney Levy

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Offering complete and in-depth data and information on plastics extrusion, this practical handbook presents the technology of the subject rather than the theory. Presents an overview of extrusion technology as applied to the operation of extrusion systems and the design of tooling and equipment for use in the process. Provides basic technical information on the behavior of polymer and plastics materials in the extrusion process. Contains tool descriptions that provide a basis for the analysis of existing product lines as examples for the design of new systems. Includes illustrations of and background material on control systems for the extruder and extrusion process.

• Sales Rank: #704908 in Books
• Published on: 1989-01-01
• Original language: English
• Number of items: 1
• Dimensions: 9.59" h x 1.02" w x 6.58" l, 1.70 pounds
• Binding: Hardcover
• 398 pages

About the Author
Sidney Levy has been associated with the general contracting business for 40 years, working on projects ranging from residential high-rises to pharmaceutical manufacturing facilities. He is the author of eleven books pertaining to project management, subcontracting, the Japanese construction industry, and international infrastructure. Mr. Levy currently is the principal in a construction consulting business in Baltimore, Maryland where he resides.

R. Dodge Woodson has built as many as 60 houses a year. He is a licensed builder, remodeler, designated real estate broker, master plumber, and master gasfitter. His experience as a land developer and builder makes his contribution to this book extremely valuable. Woodson has authored numerous books and continues to apply his trade as he has for more than 25 years.

Sidney M. Levy (Baltimore, Maryland) is an independent construction industry consultant with more than 30 years in the industry. He is the author of numerous books on construction methods and operations. Received the British Chartered Institute of Building Silver Metal for the 3rd edition of Project management in Construction in the category of Managing Construction.

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5 of 5 people found the following review helpful.
A good and affordable introduction to extrusion.
By Terrill
I am a Process Technician at a plastics compounding company. I ordered this book when I first was hired because I came from a molding company and needed to quickly grasp extrusion principles. This book was one of the few that I could find that was affordable. It provided me with a good understanding of extrusion.

1 of 1 people found the following review helpful.
Good book
By Andrew P. Whaley
This is an excellent book describing the fundamentals of plastics extrusion. Its only shortcoming--if you care to call it that--is its reliance on the most common thermoplastics to describe all plastics extrusion. In defense of the authors, they did state that caveat. I have given it 5 stars but I only studied about half of the material in the book, and do not feel qualified to rate the other half, specifically the chapters around heat transfer, downstream equipment, design and integration, computer control, and plant design. Someone with more experience around that might give the prospective buyer a better picture.

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[N796.Ebook] PDF Ebook Three Wise Men, by Robert L. Fenton

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There are some men who cannot be bound by laws or restrained by authority. This is the story of three such men in the roaring twenties. Gangsterism, beautiful women and bootlegged whiskey make this an exciting adventure.

• Sales Rank: #5500202 in Books
• Brand: Brand: Booklocker.com, Inc.
• Published on: 2008-02-18
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .94" w x 5.98" l, 1.53 pounds
• Binding: Hardcover
• 368 pages

Features

• Used Book in Good Condition

About the Author
Robert L. Fenton, President of Fenton Entertainment Group, Inc., in Farmington Hills, MI, is a Distinguished Entertainment Attorney and a Literary Agent. Fenton is also a Bestselling Author, and was a Hollywood Film Producer for several years at both Universal Studios and 20th Century Fox.

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1 of 1 people found the following review helpful.
Can not put it down
By Gilbert Kleiff
From page one until the end it is a page turner, in the style of Jeffrey Archer. I cannot wait for more work from Mr. Fenton

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[H528.Ebook] Download PDF Life In Relation To Death, by Chagdud Tulku Rinpoche, Chagdud Khadro

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Originally printed as a booklet, this text describes the dying process and provides brief but profound instructions on preparing for death. Many readers have commented that they feel comfortable giving it to their elderly parents or to friends who are dealing with life-threatening illnesses. This second edition includes additional practical information on preparing a durable power of attorney for health care, a living will for life-support treatment, and a letter of instruction regarding one's final arrangements.

• Sales Rank: #1295115 in Books
• Published on: 2000-01-01
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x 4.75" w x .50" l, .25 pounds
• Binding: Paperback
• 96 pages

Review
Comforting and forthright, his words are as sage and timely at any stage in life as when preparing to die. -- NAPRA Review-MBT

This book quells the overwhelming sense of fear, disorientation, and confusion that so often accompany the transition into death. -- The Beacon

About the Author
Born in Tibet in 1930, His Eminence, Chagdud Tulku Rinpoche, a highly revered meditation master, received extensive training in the vast wealth of Buddhist teachings and methods from many great lamas and belongs to the last generation of teachers to have received such training while still living in Tibet. For twenty years, he worked for the spiritual and economic welfare of Tibetan refugees in India and Nepal. In 1979, at the invitation of several students, he came to the West and has since established many centers in both North and South America.

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3 of 3 people found the following review helpful.
Five Stars
By Sundisc
Tibetan practices for the evolved.

10 of 11 people found the following review helpful.
Concise and profound summary of Tibetan Buddhist teachings on death and rebirth
By K. Knox
This is a very short and profound summary of traditional teachings and practices regarding living well in this life, dying well and the intermediate states between death and rebirth according to the Nyingma (oldest) lineage of Tibetan Buddhism, by one of the most accomplished Tibetan lamas from the last generation to be fully trained in Tibet before the Chinese invasion.

A previous reviewer dismissed the book as superstition, which is certainly understandable if this is one's first encounter with the extremely exotic and often scary picture of death and the afterlife, the practice of p'howa (transference of consciousness) and the like, which are certainly far removed from the teachings of the historical Buddha and the far simpler approach to death in other Buddhist countries. On the other hand, for those familiar with the Tibetan Book of the Dead and the many other teachings on this topic from within the tradition, Chagdud Rinpoche's book provides a "pith essence" summary, along with invaluable practical tools such as how to write a Dharma will. Set aside the descriptions of the bardo (intermediate state between death and rebirth), peaceful and wrathful deities and the rest if you wish - there are still priceless teachings here on how to live well, practice meditation with utmost profundity and simplicity, and meet whatever comes next with a mind that is ready for anything.

3 of 4 people found the following review helpful.
Taking the oportunity of life to prepare for death
By Buddhist from South
Very honest, accurate, and concise teachings and instructions to prepare you for death, in the perspective of the Vajrayana tibetan Buddhism.

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Clausewitz is often quoted but more often misunderstood. On Clausewitz presents his central ideas about war and politics - such as war as an instrument of policy, the concept of Absolute War, friction and the fog of war - in a clear and systematic fashion. It also presents the man, his life and the military and intellectual environment in which he produced his great work On War . A final section considers Clausewitz's relevance to the rapidly changing nature of war today.

• Sales Rank: #9800137 in Books
• Published on: 2005-03-02
• Released on: 2005-02-10
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .92" w x 5.22" l, 1.08 pounds
• Binding: Hardcover
• 303 pages

Review

' On Clausewitz is a thorough survey of all of Clausewitz's most important insights, drawn not only from On War but also from his voluminous writings on military history and international politics. Smith is particularly good at outlining the intellectual influences on Clausewitz...Far from being the bloody-minded apostle of total war portrayed by detractors, Smith's Clausewitz is a complex and fully rounded thinker.' Ian Garrick Mason, Times Literary Supplement

About the Author
HUGH SMITH is a graduate of the London School of Economics and Political Science and the Australian National University. He has taught officer cadets in Australia for over three decades and was the Founding Director of the Australian Defence Studies Centre. His publications cover many aspects of military affairs, from nuclear strategy to conscientious objection.

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20 of 20 people found the following review helpful.
Great Work in Strategic Theory
By seydlitz89
This book is an excellent campanion volume to On War. I would rate it at the same level of Michael Handel's Masters of War, but below Raymond Aron's Clausewitz and Uwe Hartmann's Carl von Clausewitz.

Professor Smith's work is well written and organized. He presents not only Clausewitz's views but also those hoping to replace his paradigm of war which has been the dominate one for the last 200 years. In addition I find his work to be far better in describing the current Global War on Terror, although that is not its main intention, than recent works by Colonel Hammes for example. While Hammes loses himself in a maze of his own and others' reified concepts, Smith knows what strategic theory is, the natural tension between it and praxis and the danger of attempting to make the reality fit the subjective doctrinaire model and thus "falling short".

In fact On Clausewitz presents the tensions associated with Clausewitzian theory very well, with one exception.

First we have the tension between analysis and doctrine. War does have a rational element, and that rational element ought to make war into an instrument of policy. So analysis becomes when dealing with this rational element fused with doctrine. The same is true concerning political - military relations, conflicts between which Smith sees as "a serious omission" since Clausewitz fails to discuss this (page 219). He assumes that the state will treat war as a policy instrument and will not expect from war something outside its nature to achieve. Yet this happens, as in Bush's plan to remake the Iraqi political identity into an American (and Israeli) friendly anti-traditional arab state with only a limited investment of military resources to carry it through. I see this "omission" more the nature of a warning since the nature of war as political instrument remains, if one side loses control of the instrument it can mean that the other side gains control and thus uses the war to achieve its own policy goals. Notice how this describes well the current situation in Iraq in regards to Iran and Iranian goals in Iraq. . .

Clausewitz remains silent as to what the military should do when the political leadership botches a war, but his own actions at Tauroggen in 1812 indicate his subjective response in this matter. I think Clausewitz was unable to deal with this difficult situation in a theoretical manner, dealing with as it does personal values, which leaves each officer to find his own way should he find himself serving a strategically incompetent political leadership or a leadership which wages war for its own interests and not those of the nation it represents..

The next tension that Smith brings out beautifully is the tension between theory and praxis. He goes through Clausewitz's Kritik methodology and introduces praxis as the third step where of course it belongs. Theory for Clausewitz is used to understand history and in understanding current reality. Clausewitz's theory is not a grand system of reality (this is where he is definitely not tied to Hegel, but actually anti-Hegelian) but a flexible and tension filled framework of concepts and principles used to sort out the important events from the unimportant.

The third tension I would mention is that associated with Clausewitz's concept of cohesion. Cohesion acts as the force that keeps a state together, forms its center of gravity(ies) and forms the basis for its alliances. A lack of state cohesion detracts from the advantages otherwise associated with being on the defense. On the international level, states pursue policies equal to their own weight and cohesion. The international balance of power is maintained by the cohesion of international relations and interests which tend towards equilibrium, to the detriment of a single state that attempts to gain power over all. This flexible concept is very applicable to the international situation today in the Middle East and elsewhere where mineral resources are becoming contested. So cohesion works at all three levels - the tactical, the strategic (or operational) and that of war plans.

However it is this fourth and last tension I will mention where Smith's excellent book falls a bit short. Had he been familiar with Hartmann's work (unfortunately not available in English) he would have been aware of the Schliermacher dialectic, or rather the three types of this dialectic that run all through On War. Instead, Smith mentions Clausewitz's thinking as "dualistic rather than genuinely dialectic" (page 61), since for him there is only the dialectic associated with Hegel that comes into question. Rather as Hartmann, and indirectly Aron, have pointed out, Clausewitz.deals with conceptual pairs that exist in a sort of constant tension that is never resolved. Instead of a synthesis, this version of Schliermacher's is a reverse dialectic which returns to the source of the conflict between the two types - thus the Weberian ideal types of Absolute and Real War when "reduced" reveal the "remarkable trinity" as the unifying and tension-causing element able to explain both.

This shortcoming does little to affect the overall worth of the book, is more the nature of a specialist's comment.

In all I recommend this book to all readers of On War and or those with an interest in cultivating an effective strategic analysis of the current the Global War on Terror.

Smith's work shows Clausewitz's applicability to the full spectrum of warfare, including Nuclear War (strangely similar to Clausewitz's concept of Absolute War) and what he describes as "Anti-Modern Warfare" or Guerrilla Warfare along with Terrorism. Smith's comments at the end of this chapter are particularly useful in lifting the conceptual fog surrounding "Terrorism". Although in connection with this latter type, I think retaining the Clausewitzian terms of Kleiner Krieg and "People's War" along with a discussion of Clausewitz's seminar of 1811 would have been very useful.

Contrary to the current 4th Generation Warfare view of Mao as the father of this "art of warfare", as Smith shows, he must be placed in a larger context of revolutionary war which would include Lenin and the Comintern. The connection between Clausewitz on the one side and Lenin and Mao on the other is clear and historically proven: Lenin having extensively commented on Clausewitz and Mao having read On War in translation in 1938. Aron has detailed the entire connection between communist strategic thought and Clausewitz well in the work I mentioned above.

Hopefully this book will not only shed light on a complex subject for students of On War, but also for those followers of the currently popular anti-Clausewitzian faddish concepts which only achieve in clouding the waters ever more thoroughly.

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• Sales Rank: #2901736 in Books
• Published on: 2015-07-23
• Original language: English
• Number of items: 1
• Dimensions: 9.80" h x 1.20" w x 7.00" l, .0 pounds
• Binding: Hardcover
• 488 pages

About the Author

Mark Bevir is Professor of Political Science at the University of California, Berkeley, USA.

R. A. W. Rhodes is Professor of Government (Research) at the University of Southampton, UK and Griffith University, Brisbane, Australia.

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[L974.Ebook] Download Writing Fiction: A Guide to Narrative Craft (8th Edition), by Janet Burroway, Elizabeth Stuckey-French, Ned Stuckey-French

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The most widely used and respected text in its field, Writing Fiction, 7e by novelists Janet Burroway and Elizabeth Stuckey-French guides the novice story writer from first inspiration to final revision by providing practical writing techniques and concrete examples. Written in a tone that is personal and non-prescriptive, the text encourages students to develop proficiency through each step of the writing process, offering an abundance of exercises designed to spur writing and creativity.  The text also integrates diverse contemporary short stories in every chapter in the belief that the reading of inspiring fiction goes hand-in-hand with the writing of fresh and exciting stories.

• Sales Rank: #148101 in Books
• Published on: 2010-01-13
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .70" w x 5.90" l, 1.24 pounds
• Binding: Paperback
• 432 pages

From the Back Cover

A bestseller through six editions,Writing Fictionby novelists Janet Burroway and Elizabeth Stuckey-French explores the elements of fiction, providing practical writing techniques and concrete examples. Written in a tone that is personal and non-prescriptive, this book encourages writers to develop proficiency through each step of the writing process, offering an abundance of exercises designed to spur writing and creativity. The text Writing Fictionalso integrates diverse contemporary short stories in every chapter in the belief that the reading of inspiring fiction goes hand-in-hand with the writing of fresh and exciting stories.

 

Thorough and practical discussions of all the major fictional elements offer readers a comprehensive guide to the craft of writing stories.  Topics include freewriting, plot, style, characterization, dialogue, time, place, imagery, and point of view. 

 

For novice writers looking to develop proficiency.

About the Author

JANET BURROWAY is the author of plays, poetry, essays, children’s books, and eight novels including The Buzzards, Raw Silk (runner up for the National Book Award), Opening Nights, Cutting Stone, and Bridge of Sand. Her publications include a collection of personal essays, "Embalming Mom," in addition to a volume of poetry, Material Goods, and two children’s books in verse, The Truck on the Track and The Giant Jam Sandwich . Her most recent plays, Medea with Child (The Reva Shiner Award), Sweepstakes, Division of Property (Arts & Letters Award), and Parts of Speech, have received readings and productions in NewYork, London, San Francisco, Hollywood, Chicago, and various regional theatres. Her textbook Writing Fiction, now in its eighth edition, is the most widely used creative writing text in the United States. She is Robert O. Lawton Distinguished Professor Emerita at the Florida State University in Tallahassee.

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56 of 59 people found the following review helpful.
The Classic College Textbook on the Fiction-Writing Craft: The Current Edition
By Dr C J Singh
.
Reviewed by C J Singh
.

In the current edition, more than half of the 22 stories are new, including works by contemporaries like Stuart Dybek, Chitra Banerjee Divakaruni, Ron Hansen, Sherman Alexie, and Junot Diaz. A welcome return are short-shorts, one of the highlights of the sixth edition that were dropped in the seventh. Also, the new edition features a more detailed discussion of the revision process: it presents the early and final drafts of a short story, "Keith, by Ron Carlson, an established writer and professor of creative writing at UC Irvine.

In the preface to the eighth edition, Burroway notes that "the idea of a text for writing fiction is itself problematic. Unlike such subjects as math and history, where a certain mass of information needs to be organized and conveyed, the writing of fiction is more often a process of trial and error--the learning is perpetual and, paradoxically, the writer needs to know everything at once. If a text is too prescriptive, it's not true to the immense variety of possibilities; if it's too anecdotal, it may be cheering but is unlikely to be of use." Excellent criterion, emerging from the author's decades of writing and teaching experience. This edition, like the seventh and sixth, engages and isn't too prescriptive.

Burroway clearly privileges literary fiction over genre fiction in this as well as in the previous four editions. (In her definition, genre fiction comprises detective story, science fiction, fantasy fiction, romance, adventure, spy, horror, and thriller.) "Writing literary fiction can teach you how to write good genre fiction, writing genre fiction does not teach you how to write good literary fiction--does not teach `how to write,' by which I mean how to be original and meaningful in words." Agreed, but why, then, is the book's title not "Writing Literary Fiction"?

The seventh edition, like the sixth, includes more than twenty short stories, most of them by contemporary writers such as Tobias Wolff, Joyce Carol Oates, and Charles Baxter that were also in the sixth edition. The seventh edition's major shortcoming is the dropping of short-shorts. The sixth edition included short-shorts by Margaret Atwood, Elizabeth Tallent, Sandra Cisneros, Julia Alvarez, Mary Robison, Lydia Davis, and Grace Paley among others. (Inspired by the short-shorts in the sixth edition, I wrote five short-shorts, all of which were published in ZYZZYVA literary magazine, Vol XXXIII.2). I found drafting short-shorts a fast-track to teaching myself the basics of fiction-writing craft.

Comparing the contents of this edition with the previous four editions, I see that Burroway has experimented with different chapter sequences. In the fourth, fifth, and sixth editions, plot discussion was placed in chapter 2; in the seventh and eighth editions, plot discussion is relegated to chapter 7. Very well, as the writer "needs to know everything at once" anyway, I can understand this experimentation. My preference is the earlier placement of plot, in chapter 2 -- especially for self-teaching.

In the previous four editions a full chapter was devoted to theme and introduced in the very first chapter as follows: "The process of discovering, choosing, and revealing the theme of your story begins as early as a first freewrite and continues, probably, beyond publication. The theme is what your story is about and what you think about it, its core and the spin you put on it.... Because of this comprehensive nature of theme, I have placed the discussion of it in chapter 10, after each of the individual story elements have been addressed....But this is not entirely satisfactory, since each of those elements contribute to the theme as it unfolds. You may want to skip ahead to take a look at that chapter." Agreed, but why, then, the eighth edition omits the 28-page chapter on theme and instead condenses the topic of theme to a mere 2 pages as part of the chapter on revision?

For teaching yourself to write literary fiction, I recommend: beginning with Burroway's "Imaginative Writing: The Elements of Craft"; next Burroway's "Writing Fiction: A Guide to Narrative Craft"; followed by Sarah Stone and Ron Nyren's "Deepening Fiction: A Practical Guide for Intermediate and Advanced Writers." (See my amazon listmania list "Writing Fiction: Top Ten Books.")

15 of 16 people found the following review helpful.
Beautifully crafted
By Janira
While I purchased this book as a textbook for a graduate writing class, it's already proven to be invaluable. The format, with each chapter focusing on a different element in the writing craft, is orderly and insightful-- but the book is still a cohesive unit. Each chapter builds naturally to form the foundation for the next. The writing exercise ideas are consistently extraordinarily helpful and avoid the typical triteness tripe that you find on the internet-- they're original and thought provoking. Each chapter ends with a few short stories illustrating the chapter's concept, and I've enjoyed reading all of them while gaining practical understanding of how to apply the concepts. There's also an excellent portion on revision which is every writer's bane. Honestly, one of the best books on writing fiction I've ever read.

If there would be a downside is that her writing style can get to be a little bit florid and wordy, an acceptable flaw in such a good book.

11 of 11 people found the following review helpful.
A classic but dated
By E. L Wagner
We used an earlier edition of this book for my creative writing class when I was in college. Since I've been doing a lot of writing lately, I thought I'd pick up a copy of the newest edition. I wanted a broadly focused writing book. I was a bit disappointed, though. Even though it's been through numerous revised editions, it's not terribly different from the one we used in the early 80s. It fails to incorporate current terminology or to mention narrative techniques that are commonplace in today's markets. For instance, there's no mention of limited third point of view, and nothing about deep pov. It would also be nice if there were some more recent works provided as examples of various narrative techniques.

It's still a good book with some useful information for beginners. The information on filtering is still highly relevant (I believe Burroway coined the term) and something more writers should heed. But new copies of this book are rather expensive. There are other books out there that are less expensive and more up to date.

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[Library Edition Audiobook CD in vinyl case.]

Long before the world of the Ganymeans blew apart millennia ago, the strange race of giants had already vanished. All that remained of them was a wrecked ship abandoned on a frozen moon of Jupiter. Now Earth's scientists are there, determined to ferret out the secret of the lost race. But when suddenly the Ganymeans return, they bring with them answers that will reveal the secret of our own as well.

• Sales Rank: #2362203 in Books
• Brand: Del Rey
• Published on: 1978-06-12
• Released on: 1978-06-12
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 256 pages

Features

• Great product!

Most helpful customer reviews

4 of 4 people found the following review helpful.
Interesting but not captivating
By TChris
The Gentle Giants of Ganymede is a sequel to Inherit the Stars. It isn't necessary to read the first novel to understand the second, but doing so would give the reader a fuller appreciation of the characters and setting in the second novel. The plots of the two novels, however, are only loosely connected; it would be easy to follow the story in Gentle Giants without reading Inherit the Stars. If you haven't read Inherit the Stars, however, I would recommend doing so. It is a better novel than Gentle Giants.

The "Gentle Giants" to which the title refers appear in Inherit the Stars only as a long dead (or at least long absent) race that once lived on a planet in our solar system (Minerva) that was destroyed in the distant past (the mystery surrounding Minerva's destruction is the force driving Inherit the Stars). A starship of the long-lost Giants returns to the solar system after an extended journey ... one that would take 25 million years if the effects of relativity were ignored. The Giants woefully discover that Minerva is gone and make reluctant contact with the new kids in the solar system: a species known as humans.

The first half of the novel generates some energy despite its tendency to turn into a series of science lectures, primarily focused on how the Giants manage to control gravity. An unfortunate tendency of some "hard" sf authors is to elevate Great Ideas above story or character development, and James Hogan succumbed to that temptation in this novel -- much more than he did in Inherit the Stars. The novel's second half, after First Contact is made, tends to fizzle out altogether. The story leads up to a plot twist that is probably supposed to leave the reader gasping with surprise, but it's not all that surprising and ultimately amounts to just another Great Idea. There is little human (or alien) drama in the story; it's interesting, in its own way, but not captivating.

Inherit the Stars maintained a strong sense of mystery that is absent from the sequel. While the two main characters from Inherit the Stars return in Giants, they play a relatively small role. A computer called ZORAC, responsible for translating communications between humans and the Giants, has more personality than any of the human characters. The Giants are more intriguing (they abhor conflict and value cooperation) but by the novel's second half, they are relegated to the status of tourists -- and who really wants to read about tourists? Ultimately, although the novel has its moments, it doesn't have enough of them to sustain a sense of wonder. Diehard fans of hard sf might enjoy it -- it isn't by any means a bad novel -- but it just isn't in the same league as Inherit the Stars.

5 of 7 people found the following review helpful.
Good Sequel
By LeftyGtar
I'm glad Hogan wrote this story. Inherit the Stars is on my top 10 favorites list, and after reading it I wanted more, and that's just what Hogan does in this 1978 sequel (second in a series). It takes off where the first novel ended and continues to challenge and explore accepted concepts of humankind. Hogan does what a Sci-Fi writer (or any writer for that matter) is supposed to do -- he takes an idea and pushes it outside the envelope. With science fiction, he doesn't just rehash a fantasy about aliens that's merely based on old familiar plots set in the future, what he does is actually push beyond what we accept as current science and beliefs and creates a plausible world and race. His aliens are unique, as only they should be, because they evolved in a different environment from Earth. Hogans characters combined with his creativity and knowledge of the aerospace industry add up to a good yarn. I wish the editors and publishers of modern Sci-Fi books and magazines would take notice of good Sci-Fi writers like Hogan.

0 of 0 people found the following review helpful.
Starts well, but runs out of steam
By ScrawnyPunk
I enjoyed Mr. Hogan’s first novel (Inherit the Stars), and this starts out as a worthy successor. However, the narrative uniqueness that worked so well in the first book fails to deliver in the sequel. The first in the Giants series was an interesting take on scientific method: a fantastic way to engage in world-building (especially when one of those worlds is our own), and a great way to keep pace and interest. However, there comes a point when something has to happen – and when that point occurs about halfway through “Giants,” the novel fails to deliver. This is not meant to take anything away from the other readers who clearly enjoyed this book in its entirety; it just didn’t work for me.

As with Inherit the Stars, our primary protagonists, Danchekker and Hunt begin by putting together the pieces of a biological, historical, and astronomical puzzle. Their efforts are aided when the subjects of their inquiry mysteriously show up after millions of years of travel through time-dilated space. This is where the novel gets lazy – instead of a launch-pad for a plot that has all of space and time at its disposal, “Giants” gives us a MASSIVE coincidence of timing, a computer that can answer all the protagonists’ questions (the deus deorum ex machina, if you will) , and one of the most tepid First Contact sequences I’ve ever seen. Hogan’s scientific chops are such that the novel is still filled with more interesting concepts than a typical author can cram into a series (e.g. the origins of aggression as a response to cardiopulmonary evolution, etc.), but the narrative urgency fades once we see nothing really interesting will happen.

I wanted to enjoy it, and I did enjoy about half…but then the book simply ran out of steam for me. I don’t know whether or not it is worth your time to continue on to the third volume in the series, but I have personally tapped out my interest in Mr. Hogan’s style. At this point in time, it feels a little like the Endeavor/Morse series on Masterpiece Mystery – vaguely engaging if you have nothing else to do, but certainly not something you would sacrifice a lot of time to sit through if you had a choice.

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