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Flight: A Novel, by Sherman Alexie
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From the National Book Award–winning author of The Absolutely True Diary of a Part-Time Indian, the tale of a troubled boy’s trip through history.
Half Native American and half Irish, fifteen-year-old “Zits” has spent much of his short life alternately abused and ignored as an orphan and ward of the foster care system. Ever since his mother died, he’s felt alienated from everyone, but, thanks to the alcoholic father whom he’s never met, especially disconnected from other Indians.
After he runs away from his latest foster home, he makes a new friend. Handsome, charismatic, and eloquent, Justice soon persuades Zits to unleash his pain and anger on the uncaring world. But picking up a gun leads Zits on an unexpected time-traveling journey through several violent moments in American history, experiencing life as an FBI agent during the civil rights movement, a mute Indian boy during the Battle of Little Bighorn, a nineteenth-century Indian tracker, and a modern-day airplane pilot. When Zits finally returns to his own body, “he begins to understand what it means to be the hero, the villain and the victim. . . . Mr. Alexie succeeds yet again with his ability to pierce to the heart of matters, leaving this reader with tears in her eyes” (The New York Times Book Review).
Sherman Alexie’s acclaimed novels have turned a spotlight on the unique experiences of modern-day Native Americans, and here, the New York Times–bestselling author of The Lone Ranger and Tonto Fistfight in Heaven and The Absolutely True Diary of a Part-Time Indian takes a bold new turn, combining magical realism with his singular humor and insight.
This ebook features an illustrated biography of Sherman Alexie including rare photos from the author’s personal collection.
- Sales Rank: #3046 in eBooks
- Published on: 2013-10-15
- Released on: 2013-10-15
- Format: Kindle eBook
From Publishers Weekly
A deadpan "Call Me Zits" opens the first novel in 10 years from Alexie (Smoke Signals, etc.), narrated by a self-described "time-traveling mass murderer" whose name and deeds unravel as this captivating bildungsroman progresses. Half-Indian, half-Irish, acne-beset Zits is 15: he never knew his alcoholic father; his mother died when he was six; his aunt kicked him out when he was 10 (after he set her sleeping boyfriend on fire because the boyfriend had been forcing Zits to have sex). Running away from his 20th foster home, Zits ends up, briefly, in jail; soon after, he enters a bank, shoots several people and is shot dead himself. Zits then commences time-traveling via the bodies of others, finding himself variously lodged in an FBI agent in the '70s (helping to assassinate radical Indian activists); a mute Indian boy at the Battle of Little Big Horn; an Indian tracker named Gus; an airplane pilot instructor (one of whose pupils commits a terrorist act); and his own father. Zits eventually comes back to himself and to an unexpected redemption. While the plot is wisp-thin, one quickly surrenders to Zits's voice, which elegantly mixes free-floating young adult cynicism with a charged, idiosyncratic view of American history. Alexie plunges the book into bracing depths. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
His first novel in over a decade, Sherman Alexie's Flight winds themes of alienation, revenge, and forgiveness through its narrator's time-traveling adventures. Critics were impressed with the clever Zits: his thoughts and actions are both humorous and painfully genuine, the essence of troubled adolescence. However, reviewers complained about the lack of depth, of fully developed secondary characters, and of historical detail. Many critics also noted that the plot's swift pace and tidy ending were more appropriate for juvenile fiction. The New York Times, on the other hand, considered these elements part of the novel's charm. Though Alexie's latest effort may disappoint some readers, many will still find snatches of his trademark humor and moving prose.
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist
It's tough enough to be an orphan and a ward of the state, let alone a so-called half-breed. Heck, being 15 years old is no freaking picnic, especially if your face is so badly marred by acne your nickname is Zits. Add to that a devastating history of abuse, and no wonder Zits, a gun in each hand, is about to exact revenge on strangers in a bank. Has Alexie, a high-profile writer known for provocative, inventive, in-your-face fiction about Native American life, written a classic troubled youth-turned-killer tale? Of course not. This is a time-travel fable about the legacy of prejudice and pain. Zits is inexplicably catapulted back to 1975, where he inhabits the body of a white FBI agent confronting radical Indian activists, the first episode in an out-of-body odyssey. Smart, funny, and resilient, Zits is profoundly transformed, as the hero in a tale of ordeals is supposed to be, by his shape-shifting experiences as an Indian boy at Little Big Horn, an Indian tracker, a homeless Indian drunk, and a pilot in unnerving proximity to a Muslim terrorist. Alexie's concentrated and mesmerizing novel of instructive confrontations is structured around provocative variations on the meanings and implications of flight as it asserts that people of all backgrounds are equally capable of good and evil. Donna Seaman
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
36 of 42 people found the following review helpful.
In light of recent tragedy, this book is a must read!
By MCO
I have pretty much loved everything that I've read of Sherman Alexie's. He is absolutely brilliant, and his latest work is no exception. I found out about this book from a recent NPR interview with Mr. Alexie and bought it the next day. In a few short days, I was finished with it.
I'm not sure that it would have had such a strong impact on me if it hadn't been for the recent incident at VT. Such an event is difficult to make sense of, but reading this book about a person who justifies random murders in his head is eerily similar to what happened. Is killing ever all right? How many things do we justify to ourselves that may be in the scheme of things really unjustifiable?
What I was really in need of after something so awful was hope. This book helps give the reader hope that people can change; people can realize their mistakes and undo the brainwashing they have done to themselves.
In the end, a little bit of hope goes a long way, and this wonderfully written and insightful book manages to give just that. Please read it!!!
31 of 37 people found the following review helpful.
"Do you know where we might find this Justice?"
By Daniel J. Barkan
Flight starts out strong with a narrator, Zits, whose cynicism and penchant for philosophy are dead on for a teenager trying to make sense of the world and of himself. Zits is on a quest for identity, empathy, compassion, and a little wisdom. But first he must come to terms with his desire for revenge against a world that treats him as a problem to be solved rather than a person to be loved. Throughout, Zits is charming, endearing, and funny.
However, the moment the time-traveling and body-hopping begins, the book slows to a crawl. Rather than pushing the narrative forward, these devices act as self-contained, motionless lessons about the cyclical nature of violence and the impact of history on the present. Zits is essentially passive through these episodes, with only the smallest ability to exercise his own will while some hidden god-like entity forces information into his eyes and empathy into his heart. Instead of acting to learn about these things on his own, understanding is essentially downloaded into him. And since the narrator is passive throughout all of this, the reader feels passive as well. The story becomes dull.
Worst is that the book implies that if the people in our society who are horribly disenfranchised could only understand the historical contexts (both societal and personal) that have made them disenfranchised, they'd stop being so angry and bitter about it, and may try to restart their lives with a new name and a new attitude. This is then topped off when Zits (again as if he's being manipulated by a divine force) lands in a foster home with a family that finally seems like they want to love and take care of him. When this happens, the reader is happy for Zits, and there's no question that this is what Zits deserve, but at the same time it's uncertain whether or not this is something he has earned or achieved, or if he's just gotten lucky. And if it is luck or heavenly will that lands him there, then what is the lesson for people who feel the world, God, and Fate never cut them a break? What does that say about the nature of justice?
Still, the book is not awful. It is well written and the pages turn quickly. Anyone (and teenagers in particular) will enjoy and benefit from Zits's philosophizing about everything from the nature of obscenity to the righteousness of revenge.
10 of 10 people found the following review helpful.
Were Holden Caulfield a Mixed-Blood Orphan...
By Mig Jants
"Flight" seems more a novella than a novel, considering it reads fairly quickly. This may simply be a result of the fact that the style of the book makes it so difficult to set down.
Taking a cue from coming-of-age forerunners like J.D. Salinger or even Twain, Alexie's new novel features an automatically loveable narrator and protagonist--he is an ignorant teen spouting every semblance of an idea that comes into his head. Liking the character Zits might seem strange at first, considering the awful thoughts of his that come spilling onto the page, but his ignorance gives him a certain license to honesty that allows me as a reader to learn more about this character than I would were he written under a 3rd person narration.
The progression--or more accurately, temporal digression--of the plot is easy to miss at first. Fortunately, though, if you don't get it immediately after the first time-change, Alexie is kind enough to state explicitly that Zits is in fact traveling backwards in time.
"Flight" is full of gruesome and disturbing imagery, but the book isn't concerned with race or culture in the way one might immediately think. It features characters from across a variety of different cultures and backgrounds who exhibit an entire spectrum of moral human behavior. Alexie isn't trying to point a finger at any people or group, but rather at a thought pattern. So while this book may technically be classified under Native-American literature, it is really simply a book about humanity and the chaotic world in which that heterogenous group exists.
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