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Transnational Encounters: Music and Performance at the U.S.-Mexico BorderFrom Oxford University Press
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Through the study of a large variety of musical practices from the U.S.-Mexico border, Transnational Encounters seeks to provide a new perspective on the complex character of this geographic area. By focusing not only on norteña, banda or conjunto musics (the most stereotypical musical traditions among Hispanics in the area) but also engaging a number of musical practices that have often been neglected in the study of this border's history and culture (indigenous musics, African American musical traditions, pop musics), the authors provide a glance into the diversity of ethnic groups that have encountered each other throughout the area's history. Against common misconceptions about the U.S.-Mexico border as a predominant Mexican area, this book argues that it is diversity and not homogeneity which characterizes it. From a wide variety of disciplinary and multidisciplinary enunciations, these essays explore the transnational connections that inform these musical cultures while keeping an eye on their powerful local significance, in an attempt to redefine notions like "border," "nation," "migration," "diaspora," etc. Looking at music and its performative power through the looking glass of cultural criticism allows this book to contribute to larger intellectual concerns and help redefine the field of U.S.-Mexico border studies beyond the North/South and American/Mexican dichotomies. Furthermore, the essays in this book problematize some of the widespread misconceptions about U.S.-Mexico border history and culture in the current debate about immigration.
- Sales Rank: #1397413 in Books
- Published on: 2011-10-28
- Released on: 2011-10-28
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x 1.20" w x 9.20" l, 1.35 pounds
- Binding: Paperback
- 424 pages
Review
"Readers of this volume will come away with a richer understanding of how and why music and dance are two of the most potent expressive forms in and around the US-Mexico border. Transnational Encounters is required reading in Latin@ studies, popular music and ethnomusicology."--Latino Studies
"Transnational Encounters will richly reward the diligent reader looking for connections and theoretical frames upon which to build future study."--Ethnomusicology
"Bridging various approaches to border studies, this fascinating and far-ranging collection assembled by Alejandro Madrid is solidly grounded in the aural culture particulars of the US-Mexico transnational soundscape...Transnational Encounters delivers readers equal parts substantial information and original research in sync with insightful social and cultural analysis."--Hispanic American Historical Review
"[T]his volume offers an excellent range of discussions regarding music, dance, and performance in contested spaces in Mexico and the United States. I recommend it for students and scholars of ethnomusicology, cultural studies, and in the broadest sense, American and identity studies."--Latin American Music Review
"[T]his volume provides a significant contribution to the discussion of crucial broad themes in contemporary musicology - music and place, performance, or the old but still very relevant music and nationalism."--Popular Music
About the Author
Alejandro L. Madrid is Associate Professor of Latin American and Latino Studies, University of Illinois - Chicago, and author, Nor-Tec Rifa!: Electronic Dance Music from Tijuana to the World (OUP, 2008), and Sounds of the Modern Nation (Temple UP, 2009) and Editor, Postnational Musical Identities: Cultural Production, Distribution and Consumption in a Globalized Scenario (Lexington Books, 2007, with Ignacio Corona).
Most helpful customer reviews
0 of 4 people found the following review helpful.
Text book for GE class
By Deveron
I bought this book for a GE class - had no choice. However, if your major is Chicano Studies, this book is likely a must have.
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